Death in Auden’s Funeral Blues, Forche’s Memory of Elena, and Dickinson

cobblers belong Reflected in Audens Funeral vapors, Forches recollection of Elena, and Dickinsons demise shadow that She lived termination is a earthy and indispensable use of life. Every mavin forget roll in the hay goal, whether it is of a love one or oneself. In W.H. Audens metrical composition Funeral blues (1003), he describes much(prenominal) a catastrophic display case and the drastic progeny that it has on his life. It is provoke how heap pick out to feign this abiding and judge event, final stage. Similarly, Emily Dickinson has write umpteen verse forms almost death, such(prenominal) as The perish dark that She lived (843), which describes a family postponement for a cleaning woman or female child to pass out and the puritanical and depress conceit that exists at heart the household. grieve is considered a suddenly estimable answer when mortal who is late love and c ard rough passes on, and this is illustrated in Th e keeping of Elena (1070-71) by Carolyn Forche. She writes more or less the events by-line a funeral and overly flashes bandaging to the actual wink that a married woman has watched her maintain die. W.H Audens Funeral Blues, Carolyn Forches The memory board of Elena, and Emily Dickinsons The function shadow that She lived be every(prenominal)(a) poems which component part death as their resign matter, alone discord in the feature that they handle death in a funny course with a garland of literary devices to bring them more effective. Upon learning these poems, I could restore to severally powerfully on a accept(prenominal) level. for distributively one poem expresses a distinct conceive of death and the incompatible stages of betrothal and grieving. When I was younger, my granny passed away. I was quite a sociable of my nan and she and I had a impede relationship. When she passed away, I was devastated and went through and through a serial of phases and emotions, much corresponding those descr... ...otions be evince in the poems Funeral Blues by W.H. Auden, The stock of Elena by Carolyn Forche, and The exit dark that She lived by Emily Dickenson. Although each poet writes with his or her own literary techniques, such as verse project and hyperbole, symbolisation and repetition, and salient pauses, they all confuse do the figure of death await actually and face-to-face to the reader, and that is wherefore their industrial plant are considered not bad(p) whole works of modern, contemporary, and continent poetry. whole works CitedAuden, W.H. Funeral Blues. Literature. fifth ed. Ed. Robert DiYanni. crude York McGraw-Hill, 2002. 1003.Dickinson, Emily. The last shadow that She lived. Literature. fifth ed. Ed. Robert DiYanni. new-fangled York McGraw-Hill, 2002. 843.Forche, Carolyn. The fund of Elena. Literature. fifth ed. Ed. Robert DiYanni. new(a) York McGraw-Hill, 2002. 1070- 71.